"The rise of the pixel in cinema may feel like a recent development, but this year actually marks its fortieth anniversary. It began in 1973, with the release of a low-budget science-fiction film, Michael Crichton’s “Westworld.” The movie’s use of a digital effect for a total of two minutes—a now-routine process called pixelization, commonly deployed on Gordon Ramsay cooking shows to obscure a contestant’s cursing mouth—was the unlikely launching point of this revolution."

How Michael Crichton’s ‘Westworld’ Pioneered Modern Special Effects : The New Yorker (via thisistheverge)

(via thisistheverge)

seanhowe:

Stan Lee, circa 1972.

seanhowe:

Stan Lee, circa 1972.

(via themarvelageofcomics)

themarvelageofcomics:

A page from AVENGERS #196 by George Perez and Jack Abel.

themarvelageofcomics:

A page from AVENGERS #196 by George Perez and Jack Abel.

Toonami’s Arsenal [38/88]:

Gigantor (2003)

“Giiigaaaaaaantooooor!”

(via anarchycupcake)

sadburro:

Land of The Giants

sadburro:

Land of The Giants

extentoffortune:

Lost in Space: The Launch of the Jupiter 2 (Part 1)

(C) 2010 RC Haselius

thisistheverge:

Who Made That Digital Camouflage? - NYTimes.com
“Everybody suddenly wanted digital camouflage,” O’Neill says. The problem was that “everybody didn’t know how to do it.” 

thisistheverge:

Who Made That Digital Camouflage? - NYTimes.com

“Everybody suddenly wanted digital camouflage,” O’Neill says. The problem was that “everybody didn’t know how to do it.” 
comicbookcovers:

The Incredible Hulk #200, June 1976, cover by Rich Buckler and John Romita

comicbookcovers:

The Incredible Hulk #200, June 1976, cover by Rich Buckler and John Romita

comicbookcovers:

Limited Collectors Edition # C-37, September 1975, cover by Jim Aparo

comicbookcovers:

Limited Collectors Edition # C-37, September 1975, cover by Jim Aparo